The musical forms in Sadi yusif`s poetry
Basra studies journal,
Volume 24, Issue 1994, Pages 77-126
AbstractThe Study of music for any poets considers as evolving in the wide domain of the given poet because as we studied that domain, we can expand chains of meeting with the poet`s own poetic experience that we can`t simply catch it without the given domain. Saadi Youssef can expand his hand to what is called the dramatic structure in his poem through his affirmation on the poetic rhymes which reveal the deep internal text by utilizing chains of texts which arrive him to what is called the dramatic literature. His musical forms are varied to extent that he didn`t leave any pattern that the modern poetry has, starting from his using of the mono-rhythm, passing to the bi-rhythm, to end with the variation among the mixed rhythms in order to produce a new poem which exploiting the rhythm to reveal about what it involves.
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